Finding our own voices: Breaking down barriers one film at a time
A new generation of filmmakers is aiming to bring more diversity to our screens. Carter Morel reports
Finding our own voices: Breaking down barriers one film at a time
A new generation of filmmakers is aiming to bring more diversity to our screens. Carter Morel reports
The Stranger: Finally, a thriller worth the description
Thomas M. Wright’s directoral debut delivers a film worth making an effort for. Taran Pannu reports.
Candyman: one of the horror genre’s most recognisable costumes
When it comes to horror movie costuming, villains get the prize. On the 30th anniversary of 1992 slasher movie Candyman, Genevieve Nardella checks out the key look.
True Crime: An Australian Obsession
True crime is one of the most popular genres of all. Thomas Hibberd talks to experts in the industry about why Australians are so drawn to it, and where Ned Kelly fits in.
Full ’60s fab: tribute to Audrey Hepburn’s ‘Two for The Road’
Despite being a lesser known entry in Audrey Hepburn’s filmography, ‘Two For the Road’ is a treasure trove of mid-20th century fashion that solidifies her icon status. On its 55th anniversary, Genevieve Nardella reports.
‘Three Thousand Years of Longing’ needed a few more years in the oven
Legendary Australian director George Miller’s first film since ‘Mad Max: Fury Road’ is a more mystical offering. It could have done with a bit more magic, writes Jack Andre-Hamill.
Blond ambition: Hair-raising tales of shoddy work
When it comes to streaming TV, creatives are being rushed and underpaid, and their work is suffering. Genevieve Nardella takes a look at some hair and costume shockers.
Thirteen lives: cave rescue film explores sacrifice and life-saving courage
The film of the dramatic rescue of a youth soccer team from deep in a Thai cave system is a welcome return to form for Ron Howard. Taran Pannu reports.
Death for sex workers: Horrific and eye-opening portrayal
Holy Spider is a terrifying and realistic thriller not meant for the faint-hearted. Taran Pannu reviews the MIFF selection.