As most of us can still only dream of jetting off to Europe, Emily in Paris is the perfect show for escapism. Just don’t expect it to be anything close to reality. Breck Carter reviews Netflix’s latest
As most of us can still only dream of jetting off to Europe, Emily in Paris is the perfect show for escapism. Just don’t expect it to be anything close to reality. Breck Carter reviews Netflix’s latest
Born in the Republic of the Congo and raised in London, Jordan Mackampa’s debut recording explores feelings of alienation, love and his own journey from boyhood to manhood.
It’s no secret DMA’s have always been into pop music. So, it doesn’t come as a surprise that on the third album they flip the script on their sound, swapping the usual wall of guitars for glaring synths and pulsating drums.
Australian quintet Rolling Blackouts Coastal Fever deliver an exercise in sun-drenched indie rock and contemplative reflection, which explores the lost sense of familiarity and identity that spawns from an exhausting touring schedule.
In an industry ruled by perfect poses, a photographer inspired by music is focussing on a “less obvious” beauty. James Noonan reports.
Art therapist Emma Finch helps sufferers of mental illness heal through the power of art. Rebecca Johansen reports.
Tahlia Stanton says she wants to “bridge the gap between fantasy and reality” in her art. Chelsea Byrne reports.
In the Melbourne music scene, artists and industry professionals are challenging the patriarchal norms. Aimee Cunningham writes that while acknowledging that sexism and inherent misogyny exists in music as elsewhere, there has been a push to change the cultures and attitudes ingrained in the industry.
A love of cartoons and superheros should lead Jack Grayson to a bright future in animation. Amanda Kirkovski reports.
