
Nic Cage plays Nick Cage, and the result is offbeat comedy gold
The Unbearable Weight of Massive Talent reminds audiences of why we love Nicolas Cage in the first place. Genevieve Nardella reports.
The Unbearable Weight of Massive Talent reminds audiences of why we love Nicolas Cage in the first place. Genevieve Nardella reports.
The Unbearable Weight of Massive Talent reminds audiences of why we love Nicolas Cage in the first place. Genevieve Nardella reports.
Generations intersect in Céline Sciamma’s latest, a breezy fairytale characterised by its small stars and big heart. Review by Spencer Gilder-Smith.
Romy and Michele’s High School Reunion marked the return of candy colours and fun to women’s fashion in the ’90s. In celebration of its 25th anniversary, Genevieve Nardella reports.
Mads Mikkelsen brings the magic to his role in the third of the Fantastic Beasts series. Taran Pannu reviews a film that offers both charm and heart.
Although it has its problems, the second season of Bridgerton is an entertaining watch that mostly matches the first season’s appeal, though some of its costume choices are baffling. Genevieve Nardella reports.
Batman has always changed to reflect the world we live in. The Standard editor Aditi Kutty watched the latest effort, The Batman, and isn’t impressed.
Hans Zimmer claimed his second Academy Award after a 20-year drought. But despite the snubs, imitation is the best form of flattery for the composer. Angus Delaney reports.
The iconic view of Batman shines brightest in the Christopher Nolan series of films and in the Arkham series of video games. Vedant Bhusari looks at why those visions cut through.
The Godfather’s costuming succeeds in three major ways, as shown through three of its most popular characters. In celebration of its 50th anniversary, Genevieve Nardella reports.